Fleurs de Villes FLORA

Introducing Our New Show Series

By
Sarah Bancroft
Detail of Flora from Primavera by Botticelli (c.1482)
Kendra Scott mannequin by Larkspur Botanicals, Hudson Yards 2021
Taylor Swift mannequin by Flowers by Janie & West Queen Studio, Calgary 2024
The Lady and the Unicorn Mille-Fleurs tapestry, Paris

FLORA has been announced as the 2026 theme for Fleurs de Villes, a choice that feels both powerful and bountiful. Making its debut in Bal Harbour (February 27-March 8), followed by shows in Twin Cities, New York City, Atlanta, Toronto, Chicago and beyond, fresh floral couture mannequins will inspire and enthral with the beauty of botanicals.

WHAT IS FLORA?

Rooted in the Latin word for flower, Flora was the ancient Roman goddess of spring and flowering plants, presiding over fertility, renewal, and the brief, delicious excess of the blooming season. Her festival, Floralia, was famously exuberant – riotous colour, theatrical performances, with garlands everywhere. To celebrate Flora was to celebrate life at its most unapologetic.

Long before Rome gave her marble temples, flora as a collective idea shaped how humans understood the world. Ancient herbals catalogued plants not only for medicine but for meaning. Flowers became shorthand for emotion, power, mourning, seduction. Empires rose with their gardens intact, because to control plants was to control food, beauty, and symbolism all at once. The Hanging Gardens of Babylon, whether myth or not,  remain the original statement: flora as architecture, desire, and divine ambition rolled into one.

FLORA AND THE ARTS

Fashion and art have always understood this idea instinctively. From Botticelli’s iconic Primavera, where Flora scatters blossoms and rose petals to depict the abundance of nature, to the famous Millefleurs Flemish tapestries in 15th century palaces depicting thousands of tiny flowers, they have always serves as a reliable mure. In the world of fashion, Christian Dior’s postwar “New Look,” steeped in petaled silhouettes and botanical prints, Alexander McQueen, Pucci, and Yves Saint Laurent all used flowers as recurrent motifs and Gucci’s Flora collection is central to the House’s very identity. Flowers soften power and sharpen romance. They allow designers and artists to speak about sensuality, decay, optimism, and rebellion without saying a word. 

FLORA AS A GLOBAL CONCEPT

The word Flora also carries a collective intelligence. In science, it refers not to a single bloom but to an entire ecosystem, a reminder that beauty rarely exists alone. This idea resonates sharply now. Modern references to flora are inseparable from conversations about climate, sustainability, and preservation. Fashion houses collaborate with botanical gardens. Artists press endangered species into cyanotypes. Digital florals bloom endlessly in virtual spaces, perfect and untouchable, while real ones demand care and accountability, as Fleurs de Villes’ floral artists well know.

FLORA has been announced as the 2026 theme for Fleurs de Villes, a choice that feels both powerful and bountiful. Making its debut in Bal Harbour (February 27-March 8), followed by shows in Twin Cities, New York City, Atlanta, Toronto, Chicago and beyond, fresh floral couture mannequins will inspire and enthral with the beauty of botanicals.

WHAT IS FLORA?

Rooted in the Latin word for flower, Flora was the ancient Roman goddess of spring and flowering plants, presiding over fertility, renewal, and the brief, delicious excess of the blooming season. Her festival, Floralia, was famously exuberant – riotous colour, theatrical performances, with garlands everywhere. To celebrate Flora was to celebrate life at its most unapologetic.

Long before Rome gave her marble temples, flora as a collective idea shaped how humans understood the world. Ancient herbals catalogued plants not only for medicine but for meaning. Flowers became shorthand for emotion, power, mourning, seduction. Empires rose with their gardens intact, because to control plants was to control food, beauty, and symbolism all at once. The Hanging Gardens of Babylon, whether myth or not,  remain the original statement: flora as architecture, desire, and divine ambition rolled into one.

Detail of Flora from Primavera by Botticelli (c.1482)
Detail of Flora from Primavera by Botticelli (c.1482)
Kendra Scott mannequin by Larkspur Botanicals, Hudson Yards 2021
Kendra Scott mannequin by Larkspur Botanicals, Hudson Yards 2021
FLORA AND THE ARTS

Fashion and art have always understood this idea instinctively. From Botticelli’s iconic Primavera, where Flora scatters blossoms and rose petals to depict the abundance of nature, to the famous Millefleurs Flemish tapestries in 15th century palaces depicting thousands of tiny flowers, they have always serves as a reliable mure. In the world of fashion, Christian Dior’s postwar “New Look,” steeped in petaled silhouettes and botanical prints, Alexander McQueen, Pucci, and Yves Saint Laurent all used flowers as recurrent motifs and Gucci’s Flora collection is central to the House’s very identity. Flowers soften power and sharpen romance. They allow designers and artists to speak about sensuality, decay, optimism, and rebellion without saying a word. 

FLORA AS A GLOBAL CONCEPT

The word Flora also carries a collective intelligence. In science, it refers not to a single bloom but to an entire ecosystem, a reminder that beauty rarely exists alone. This idea resonates sharply now. Modern references to flora are inseparable from conversations about climate, sustainability, and preservation. Fashion houses collaborate with botanical gardens. Artists press endangered species into cyanotypes. Digital florals bloom endlessly in virtual spaces, perfect and untouchable, while real ones demand care and accountability, as Fleurs de Villes’ floral artists well know.

Taylor Swift mannequin by Flowers by Janie & West Queen Studio, Calgary 2024
Taylor Swift mannequin by Flowers by Janie & West Queen Studio, Calgary 2024
The Lady and the Unicorn Mille-Fleurs tapestry, Paris
The Lady and the Unicorn Mille-Fleurs tapestry, Paris
PETALS STOP THE SCROLL

In pop culture, flora has enjoyed a renaissance. Beyoncé’s Lemonade leaned heavily on floral imagery as a language of grief and regeneration. Fashion editorials return, again and again, to overgrown rooms and feral bouquets. Social media feeds are thick with flowers that are styled, archived, tagged, and shared, proof that even in an age of algorithms, petals still stop the scroll.

To choose Flora as a global theme is to choose abundance over austerity, meaning over minimal gesture. It nods to myth while remaining vividly contemporary, a word that contains both wildness and wisdom. Explore our 2026 Fleurs de Villes FLORA show schedule here.

Flora by Evelyn De Morgan (1894)
Flora by Evelyn De Morgan (1894)
Alexander McQueen Runway mannequin by White Lilac, South Coast Plaza 2019
Alexander McQueen Runway mannequin by White Lilac, South Coast Plaza 2019
The Lady and the Unicorn Mille-Fleurs tapestry, Paris
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